Using A Sigma 10 20mm Lens For Real Estate Photography What F Stop

The Tamron costs 10% more than the other third-party lenses and has the slowest f/stop and narrowest zoom range. Therefore I discounted it as the worst choice before I tried it. After using it I realize that it has optics as good as any other third party lens, not that.

There’s a similar lens that has f-stops down to f/2.8, while this lens only goes down to f/4. The lens that goes to f/2.8 is about twice the cost, though. While the more limiting f-stop range may seem like a disadvantage, keep in mind that for real estate purposes you’ll be shooting on a tripod at all times. The Sigma 10-20mm F/3.5 super wide-angle zoom has some really nice qualities, but isn't perfect; then again, what lens is? If you own the slower and cheaper Sigma 10-20mm F/4-5.6, should you upgrade? Would this be a good lens for Real Estate or interior photography? Hi all I was just wondering which you find the sharpest f stop on the sigma 10 -20mm? I use a nikon D300 and tend to set up at f16 and what ever i meter for at iso 200. The Sigma 10-20mm F3.5 Ex DC HSM is a super-wide angle lens that has a maximum aperture of F3.5 throughout the entire zoom range. With its wide angle view from 102.4 degrees it can produce striking images with exaggerated perspective.

There will always be a need for real estate photography. Sellers often depend on good real estate photographers to capture the unique beauty and selling points of their houses. It’s not necessarily a simple task though; you can’t just turn up, start taking photos and hope for the best. The correct equipment and methodology is needed. Everything from the camera, lens and tripod, to the lighting, aperture and focal length needs to be accounted for. We’ve outlined some of the core advice for real estate photography lenses, as well as a list of our 9 favourite models for the task.

LensesTypeFocal lengthMaximum APERTUREImage stabilizerWeightFilterPrice
Nikon Nikkor 16-35mm f/4Full Frame16-35mm f/4Yes24.0 oz77mmCheck Price
Canon EF 16-35mm f/4L IS USMFull Frame16-35mm f/4LYes21.7 oz77mmCheck Price
Tamron 15-30mm f/2.8 Di VC USDFull Frame15-30mmf/2.8Yes38.8 ozN/ACheck Price
Tokina AT-X 17-35mm f/4 Pro FXFull Frame17-35mmf/4No21.2 oz82mmCheck Price
Sigma 12-24mm f/4 ARTFull Frame12-24mmf/4No40.6 ozN/ACheck Price
Rokinon 14mm f/2.8 IF ED UMCAPS-C14mmf/2.8No19.5 ozN/ACheck Price
Nikon Nikkor 12-24mm F/4APS-C12-24mmf/4No16.4 oz77mmCheck Price
Tokina 12-28mm f/4APS-C12-28mmf/4No18.7 oz77mmCheck Price
Tamron 10-24mm f/3.5-4.5APS-C10-24mmf/4.5Yes14.3 oz77mmCheck Price

The Best Full Frame Lens for Real Estate Photography

1. Nikon Nikkor 16-35mm f/4

Why it’s great:

Using a sigma 10 20mm lens for real estate photography what f stop 3
  • Wide 16-35mm focal length with 107° angle of view.
  • Vibration reduction image stabilization for steadier shooting.
  • Fixed aperture of f/4.

Nikon’s usual high quality can be found in the Nikkor 16-35mm f/4. The wide focal length of 16-35mm has a constant f/4 aperture across the zoom range. As we’ve discussed already, this is useful for real estate photography as it gives you greater flexibility when it comes to lighting. The internal focusing, vibration reduction, and Silent Wave Motor (SWM) make this lens quick, accurate and stable when autofocusing. If you own a Nikon camera, either full frame or crop, this is an excellent lens for real estate.

Buying considerations:

Using A Sigma 10 20mm Lens For Real Estate Photography What F Stop
  • Some barrel distortion is noticeable at 16mm zoom.

2. Canon EF 16-35mm f/4L IS USM

Photography

Why it’s great:

  • Fantastic all around build and image quality.
  • Constant f/4 aperture throughout a wide-angle zoom.
  • Lightweight and sturdy design.

With the Canon L range of lenses, quality of image and manufacturing is assured. The 16-35mm f/4 wide angle is perhaps Canon’s sharpest wide angle lens and is a great choice of lens for real estate photography. Images are razor sharp, particularly at the centre of the frame and the Ultrasonic Motor (USM) and image stabilization results in a quick, accurate and steady autofocus. Unlike the above Nikon, Canon’s EF 16-35mm f/4L IS USM is a very light lens. If you swear by Canon own brand lenses, this is the one for you.

Buying considerations:

  • Some noticeable vignetting at lower apertures.

3.Tamron 15-30mm f/2.8 Di VC USD

Why it’s great:

  • Ultra-wide 15-30mm focal length range.
  • Wide f/2.8 aperture is ideal for low light.
  • Great image stabilization.

Tamron’s ultra-wide 15-30mm lens is a fantastic for real estate. The 15-30mm focal length range is ideal for maximising what you can fit in the frame, and the f/2.8 aperture means you can confidently shoot if lighting isn’t so good. This was the first lens made to have such a wide constant aperture at this focal range. Although you’ll likely be using a tripod for real estate photography, this lens’ image stabilization is fantastic, meaning you can also shoot straight from the hand. It uses Tamron’s USD (Ultrasonic Silent Drive) technology to make focusing fast and near silent.

Buying considerations:

  • Image sharpness at the edge of the frame suffers a little at maximum aperture.

4. Tokina AT-X 17-35mm f/4 Pro FX

Why it’s great:

  • Wide angle focal range with f/4 aperture.
  • Excellent optical performance and affordable price.

Our top choice of lens for real estate photography is the Tokina AT-C 17-35mm f/4 Pro FX. It balances affordability with performance and does everything we’ve already mentioned well. The 17-35mm focal length range is ideal for shooting rooms indoors; you can fit plenty in the frame without having to compromise too much. The 103.9 degree field of view is more than ample for interiors. With a max aperture of f/4, you can be sure you’ll have enough width to capture every detail even if the light is rather lacking. Images are sharp across the frame, and the autofocus is fast and accurate. The Tokina will fit both Canon and Nikon cameras.

Buying considerations:

  • Performance at the widest aperture isn’t as good as it is when stepped up.

5. Sigma 12-24mm f/4 ART

Why it’s great:

  • Ultra-wide 12-24mm focal range.
  • Sturdy build quality at a reasonable price.
  • f/4 aperture is consistently good through focal range.

The Sigma Art range of lenses has a proven track record for affordable and high-performing alternatives to Canon and Nikon ranges. The 12-24mm f/4 Art continues the trend. This is the widest angle full frame lens on our list, and offers excellent performance through its focal length range. Images are sharp and clear throughout the frame, making it an ideal choice as a real estate photography lens. The HSM (hypersonic motor) is Sigma’s autofocusing technology and it’s as quiet and speedy as you’d expect. Build quality is very sturdy, and the lens coating reduces lens flare and ghosting. This is a very well made lens that stands up to its rivals without breaking the bank.

Buying considerations:

  • This is one of the heavier wide angle lenses available, meaning you’ll almost definitely want to use a tripod to steady it.

The Best APS-C Lens for Real Estate Photography

1. Rokinon 14mm f/2.8 IF ED UMC

Why it’s great:

Using A Sigma 10 20mm Lens For Real Estate Photography What F Stop Working

  • Equivalent focal length of ~22mm on APS-C cameras and 93.9° angle of view.
  • Wide maximum aperture of f/2.8.
  • Very affordable, perfect for a beginner.

Rokinon (also known as Samyang) have produced a marvellously inexpensive super wide angle lens. The 14mm f/2.8 is robust, lightweight and performs consistently well at f/2.8. For your first serious attempt at real estate photography, this would make an excellent budget lens. Although it’s a manual-focus lens, which some users may find tricky at first, it really can deliver excellent results.

Buying considerations:

  • It’s quite basic, missing features such as autofocus and image stabilization.

2.Nikon Nikkor 12-24mm F/4 G Aspherical ED IF DX SWM AF-S

Why it’s great:

What
  • 18-36mm equivalent focal length range on crop sensor.
  • Constant f/4 aperture across focal length range.
  • Fantastic sharpness at lower zooms.

The strength of the Nikon Nikkor 12-24mm f/4 is how sharp images are at 12mm. With the wide perspective of 99°, images are crisp and clear across the frame even at wider apertures and at 12mm. The usual high-quality of manufacturing is present as you’d expect from Nikon, and the price is certain;y reasonable given the level of performance. Despite there being cheaper options from alternative manufacturers, the Nikkor 12-24mm is still a tempting prospect for the real estate photographer with a crop frame camera.

Buying considerations:

Download the preset bank for Enigma from first post here, and put it into user preset bank. Launch Enigma 4. From 'Device and Files' window choose 'Axiom 49 User Bank', then in 'Presets' window select all the presets, then press Ctrl+C. Now choose 'Axiom 49' from 'Device and Files', and press Ctrl+V. Hey Zakiah, Thanks for posting! The Enigma XML.zip file can be found at the following link: M-Audio Enigma XML I hope that helps you! Enigma .xml bank files for fruity loops free. Sundowner Horse Trailer Owners Manual; Welcome to Sundowner. As the industry leading horse trailer manufacturer, Sundowner Trailers is recognized for their pioneering innovation in aluminum trailers — with and without living quarters. Does anyone know where i can get the XML files for my Axiom 61 controller I'm trying to use it with Fruity loops Please email me at musobaby@gmail.com thanks. We do not host any torrent files or links of Enigma Xml Bank Files Fl Studio from depositfiles.com, rapidshare.com, any file sharing sites. All download links are direct full download from publisher sites or their selected mirrors. Avoid: oem software, old version, warez, serial, torrent, keygen, crack of Enigma Xml Bank Files Fl Studio.

  • There’s no image stabilization on this lens, so you’ll most likely have to use it with a tripod, particularly in low light situations.

3.Tokina 12-28mm f/4

Why it’s great:

  • 19-45mm equivalent focal length range on crop sensor.
  • Sharp images and excellent build quality.
  • Good value considering quality.

Our top pick of real estate photography lenses for APS-C cameras is the Tokina 12-28mm f/4. The wide angle is equivalent to 19-45mm and the optical performance is excellent, even when compared to similar lenses from Canon and Nikon. It also costs a lot less than those competitors and is arguably built of sturdier stuff. Sharpness is consistent across the focal length range with barely any distortion Best of all, the price is rather lower than that of similar lenses in this rage. If you have a crop frame camera and are looking to get into real estate photography, this is the lens for you.

Buying considerations:

  • There’s no manual focus override.

Using A Sigma 10 20mm Lens For Real Estate Photography What F Stop The Same

4.Tamron 10-24mm f/3.5-4.5 Di II VC HLD

Why it’s great:

  • Inexpensive, with super wide angle of capture.
  • Excellent sharpness at the centre of the frame.
  • Image stabilization for a steadier shot.

With an equivalent focal length of 16-37mm this is the widest lens for APS-C cameras on our list. Tamron continue their reputation for producing high-performing, well-constructed lenses at a price less than Canon and Nikon. The 10-24mm f/3.5-4.5 performs excellently well at 10mm, particularly through the lower apertures and continues to hold its own throughout the focal length range. Chromatic aberration, lens flare and distortion are all well-controlled, helping to produce wonderfully clear images.

Buying considerations:

  • The edge of images at smaller apertures suffers a little.

Real Estate Photography Lens Buying Advice – Key Considerations

When you’re buying a new lens for real estate photography, there are two main considerations that you need to make; the focal length range of the lens, and the maximum aperture. We’ve outline further details about both here:

1. Aperture

Aperture refers to the amount of light that enters the lens. The lower the f/ number, the wider the shutter opens. For example, f/1.4 is wider then f/2.8. For real estate photography, it’s rare that you’d ever need to use an aperture as low or lower than f/2.8, unless you’re taking a lot of shots in low light. As a general rule, the wider the maximum aperture is, the more expensive the lens. Thankfully, for real estate photography this means you don’t have to spend thousands on an expensive wide aperture lens. Generally around f/5.6 and above will be suitable.

Using A Sigma 10 20mm Lens For Real Estate Photography What F Stop Images

2. Focal Lengths

The focal length range of a lens determines how wide the angle of view is. Generally speaking the lower number in mm is, the wider the angle of view. Although it’s tempting to use a super-wide or fisheye lens for real estate photography, in actual fact this may create unwanted distortion in the image. When it comes to presenting a house in all its glory, you may have to pick and choose what you choose to highlight in the frame. Most professionals tend to use lenses in the range of 20-25mm, which on a crop sensor equates to 14-17mm. Below we’ve chosen our favourite lenses for both full and crop frame cameras.

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Using A Sigma 10 20mm Lens For Real Estate Photography What F Stop 4


Using A Sigma 10 20mm Lens For Real Estate Photography What F Stop Reviews

Sun Shining Through Snow-Covered Fir Tree
For this shot, I positioned the sun so that it was shining through a small opening in the snow-covered fir tree. Using the rule of thirds, I positioned the tree about 1/3 of the distance into the frame.
10mm f/8.0 1/200s ISO 100
Alert Golden Retriever in Snow
Animal pictures often look best when taken from the animal's level. I'm a good bit taller than this dog, so I was down very low in the snow for this shot.
I planned the position where I wanted to take this picture from before getting there - to get the light and background working together while preventing unnecessary tracks in the snow. The dog and I moved together to the position where I instructed her to stay. She happened to alertly look in the right direction for this shot, but the plan was to throw something in that direction to get the alert look.
15mm f/8.0 1/200s ISO 100
Christmas Morning Hats
Three young girls have fun with their Christmas hats in what resembles the aftermath of an explosion.
Ultra-wide angle lenses make it easy to get everything in the frame, but they do not always provide a good perspective for people pictures. This picture provides an example of the distortion in a closer subject near the edge of the frame.
10mm f/5.6 1/60s ISO 800
Wide Angle Sunset
When a large area of sky is performing at sunset, an ultra-wide angle lens can take it all in. In this shot, I used the dark mountain as the base and framed the bright clouds so that they curved through the balance of the frame.
20mm f/5.6 1/100s ISO 100
Christmas Tree 4
This picture was taken using only the Christmas lights for illumination. A camera-level tripod position provides a normal perspective with the windows oriented vertically within the frame.
10mm f/8.0 6s ISO 100
Christmas Tree Picture with Perspective
Move the camera position down low and the Christmas tree gets a new perspective. A longer focal length was used for this shot than the previous Sigma 10-20mm f/3.5 DC HSM Lens Christmas tree sample picture, but the lower position dramatically changes the orientation of the windows in the frame.
An f/11 aperture was used for this shot - to get a bigger starburst on each of the Christmas light bulbs.
15mm f/8.0 8s ISO 200
Beech Tree in the Snow
Tree trunk shadows line the background of the beech tree still holding tight to its golden leaves.
10mm f/8.0 1/100s ISO 100
Winter Corn Field Picture
Only short corn stalks remain in this winter corn field. The low sun casts long shadows in the snow from even these short stalks.
10mm f/8.0 1/400s ISO 100
Snow-laden Pine Needles
This picture of snow-laden pine needles was taken at near minimum focus distance for this lens which was set to its longest focal length.
20mm f/8.0 1/125s ISO 100
A Lot of Legs
Sometimes, you just have to go for a camera - and a kitchen stool in this case. The ultra-wide angle lens allowed me to work in a tight space and still get the big picture.
And here, we have a lot of legs on a bed - at least two horses, a sheep, a dog and a girl - and I'm sure there are many more under the various blankets.
The dog's closer position relative the rest of the subjects give it prominance in this picture. I'm not sure what to say about the flower stem that appears to lead to a flower that in the dog's mouth.
10mm f/8.0 1/60s ISO 400
Melting Snow Peeling from Tree Trunk
Melting snow peels back from a tree trunk. Clean melting snow is an oxymoron. But clone stamping can make clean melting snow a reality - turning it into a nice picture. A late winter sun provides some shadowing across the frame.
10mm f/8.0 1/60s ISO 1000
Black Cat
A black cat decides to become part of the Christmas decorations. This picture was taken in indoor lighting using a tripod. A 1/6 second exposure cat picture is typically a low-percentage shot - unless they are sleeping.
16mm f/5.6 1/6s ISO 400
Two Girls on Two Snow Tubes
Two girls ride two snow tubes in an unconventional way. This shot is testing the action-stopping capabilities of an f/3.5 lens. The sun is set and a 1/800 second exposure duration is not leaving much headroom at f/3.5 and ISO 3200.
10mm f/3.5 1/800s ISO 3200
Ornamented Christmas Tree
A 10mm focal length presents a different perspective when focused close to a Christmas tree.
10mm f/11.0 8s ISO 200
Dog in a Field
Getting down low allows this dog's upper body outline to be uninterrupted by lines in the background. Moving in close with a wide angle focal length gives the viewer a sense of presence. The dog is positioned about 1/3 of the way into the frame and is looking into the balance of the frame.
12mm f/8.0 1/200s ISO 100
Concert
An ultra-wide angle lens will take in the big picture at a larger venue. In this shot, I slightly overexposed the center/front-most singer to bring out more light in the balance of the picture. In this venue, an f/2.8 or wider lens would be a better choice for stopping the performer's motion.
20mm f/3.5 1/125s ISO 3200
Hiking in the Snow
A hiking in the snow self-portrait of sorts. Ultra-wide angle lenses open a huge range of creative opportunities.
10mm f/8.0 1/200s ISO 100
Hickory tree after the Snow
Fresh-fallen snow clings to a hickory tree. Early morning light casts shadows into the clean snow foreground.
10mm f/8.0 1/200s ISO 100
Snow on Pine Tree
A snow-covered lower pine tree limb flows into the frame while the left side, the bottom and most of the right side of the frame and uninterrupted - giving the image a clean look.
20mm f/8.0 1/125s ISO 100