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Background information | |
---|---|
Birth name | George William Daly |
Genres | Rock, folk, pop, new wave, jazz |
Occupation(s) | Music executive |
Instruments | Guitar, piano, synthesizer, Fender bass |
Labels | Columbia, Elektra/Asylum/WMG, Atlantic/WMG, BMG/Zoo, About/UMG, |
Associated acts | The Cars, Janis Joplin, The Tubes, Carlos Santana, Tool |
George Daly is a music executive, songwriter, musician, video and music producer, award-winning film director and technology inventor who originally worked as an A&R (Artist & Repertoire) music executive. In that role he worked with and/or introduced many iconic stars, with famed artists and groups as varied as Janis Joplin,[1]The Tubes, The Cars, Tool (band), Huey Lewis, Carlos Santana, and others. Artists to whose efforts Daly has contributed have sold recorded music in vinyl, CD, and digital form over 40 years in excess of 300 million copies.
Moving from the Washington, DC area to San Francisco in the ‘60's, Daly befriended Janis Joplin and, due to that link, was soon hired by Columbia Records as San Francisco Head of A&R [1] spanning the Clive Davis and Goddard Lieberson eras. Daly followed this up with being named head of A&R at Elektra/Asylum Records, followed by his direct hiring as Atlantic Head of Artist & Repertoire by legendary label chief Ahmet Ertegun at Atlantic Records (WMG), and Zoo Entertainment (Bertelsmann Music Group /BMG) where he was again named Vice President and head of A&R. Daly is the recipient of multiple Gold and Platinum recording awards.[2]
As a significant executive in the music industry, Daly has discovered such original music talents as the seminal new-wave group The Cars (whom he signed to a long-term Elektra/Asylum deal on a paper napkin, after their live performance at Harvard University where his sister was attending)[3] whose first album, The Cars, stayed on the charts for an astonishing 139 Weeks and sold over six million copies in the US, the radical Bay Area surreal pop performers, The Tubes, who he brought to A&M Records, as well as contracting modern theatrical rockers, Green Jelly, who morphed into modern edge Multi-Platinum rockers, Tool and many others. In addition, in various roles Mr. Daly has also worked professionally with many of the classic music legends, such as Roy Buchanan and Nils Lofgren and including writing with Boz Scaggs his seminal ballad 'Slow Dancer', of the Scaggs album of the same name, considered by some as Scaggs' greatest musical achievement,[4] producing Huey Lewis[5] as well as Carlos Santana by serving as the Executive Producer and Line Producer of the Carlos Santana interactive video life story DVD, working closely with Santana as well as Alice Coltrane for the included John Coltrane Material and the Jimi Hendrix family for the Hendrix material in the award-winning The River of Color and Sound[6]
Early life - science and music[edit]
Born George William Daly Jr., the second of six siblings, at the US Naval Medical Hospital at Annapolis, MD[7] of Captain George William Daly,[8] Sr., former Deputy Chief of Industrial Relations for the US Navy and Frances Helen Daly, a housewife and artistic mentor to the young George. He showed an aptitude in his early years for both science and invention as well as music, writing his first song in 4th grade and crafting early electric guitars and sound amplifier circuits. In the eighth grade he created a sound over optical light-wave link - his own invention for a school science fair. By his early teens he was playing guitar, bass and keyboards and writing songs resulting in the formation of several garage bands, culminating in the seminal DC garage band, The Hangmen, credited on record with the singles 'What a Girl Can't Do', 'Faces' and 'Bad Goodbye' among others and all released on DC to Nashville's Monument Records, of which '..Girl..', with its Everly Brothers' Wake Up Little Susie guitar riff and powerful drumming (written and recorded by Hangman Tom Guernsey with Joe Tripplet, also recording included Hangmen drummer Bob Berberich and other session musicians), plus the crowd-pleasing riot-causing Hangmen band's live performance, all pushed the band past the Beatles to the number one position in the DC and Baltimore region,[9] while Daly's original song, Faces, is noted in the 21st century as a prototypical and classic YouTube garage punk rock anthem, still artistically powerful today.[10]
Music industry[edit]
Daly's first post after joining Columbia Records in 1969 was heading the San Francisco A&R division of Columbia Records under the guidance of Clive Davis[3] This was a time when Columbia Records entered the West Coast rock market with a vengeance, opening both a state-of-the art recording studio [11] (CBS recording studio, Folsom St, San Francisco) and establishing major label Columbia Records' A&R offices in San Francisco at Fisherman's Wharf. Including that entry point in the music business, Daly has been a senior executive at Columbia Records, Elektra/Asylum Records, Atlantic Records and BMG, four of the all-time biggest U.S. record labels and is presently the CEO of About Records distributed by Universal Music Group/UMG/Fontana. As an A&R executive, Daly has had responsibility for, and sometimes introduced the world to, many of the ground-breaking music acts that eventually defined their genre and became legends, including Joplin,[12] Carlos Santana, The Cars and Tool among others. Throughout his career he had the opportunity to work directly under such historically significant music business icons such as the all-time legendary 'golden-eared' and ground-breaking executive, A&R man and producer Clive Davis, the renowned Atlantic Recording Company founder Ahmet Ertegun, as well as 'songman' and longtime music business serial president, CEO and Chairman, of Atco, Atlantic, Warner Music, MCA, Universal Music Group and Sony Music Entertainment, Doug Morris.
Daly's tenure in the music businesses' modern high-sales era [13] coincides almost exactly with the rise of the modern 'tonnage' popularity of recorded music, through and up to the present post-modern growth and dominance of the contemporary cloud online streaming delivery systems of social media-oriented and iPhone-format mobile phone channels of distribution including advertiser-based and subscription-based services provided by trillion dollar market value companies such as Apple Inc., Google Alphabet, Amazon Music, Spotify, Pandora Radio and more.
Song writing and music performance[edit]
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Daly's music career as a songwriter and performer initially involved founding and performing in three historically noteworthy DC bands - The Hangmen, The Dolphin,[14] and Grin. Initially playing guitar and keyboards and writing songs for The Hangmen in 1964, the band, which toured behind a #1 regional hit that pushed the Beatles off the #1 position in local radio charts.[9] Daly's, The Hangmen band performances instigated as least one 3000+ person fan riot in suburban Virginia, written up in Billboard magazine as one of the first such '60's US 'rock & roll riots' prior to the Beatles complete dominance of the charts. He followed this by creating the rarely heard but historically important and short-lived DC folk-blues band, The Dolphin (Sire Records/London Records), in 1967, which included Daly, Berberich, Paul Dowell, and later Nils Lofgren and originally included the guitar immortal Roy Buchanan,[15] called in Rolling Stone Magazine in 1968 'one of the three greatest living guitarists'.[16] He followed up in 1968 by forming the band the Grin,[17] which he founded with fellow Hangmen alumni and drummer friend Bob Berberich and, again with the young accordionist turned telecaster guitarist extraordinaire Nils Lofgren, before Lofgren recorded on several Neil Young albums and later joined Bruce Springsteen's E Street Band. The Daly/Boz Scaggs composition, Slow Dancer, has been recorded by multiple international artists resulting in platinum sales, and used in major market advertising as far away as Japan. Daly's latest song co-writing has been with singer/songwriter Tim Hockenberry, who in May 2012, was judged by Howard Stern on America's Got Talent, and praised with 'What a breath of fresh air you are! I love you!' (Stern) and 'You are a phenomenal talent!' and 'Out of all the singers we’ve ever seen, Tim Hockenberry is my favorite.' [18]
Technology and patents[edit]
Daly holds six US patents for audio and musical devices and is inventor of various audio devices including the early electrical guitar processor, the Moan Tone used by Nils Lofgren and others in live performance and recording[19] and the recording studio device, Master Mount (later sold to Tandy Corp.) and is holder of multiple US Patent beginning with US Patent # 4,151,971 and US Patent 4,074,883, with his latest US DSP and audio-involved patents awarded in 2016 and 2017. As well as the US Patent App. for a DSP audio enhancing technology, HaloField.[20] During a break from the music business of several years, Daly consulted for the US Government's Comcast STC Satellite Television Corporation and designed for Comcast/STC, the PSR2000, the first prototype desktop appliance for digital music downloads, done in conjunction with Hartford Gunn,[21] then President of STC, and prior first president of PBS. In 1997 Daly, at the request of Keith Richards and his producer at the time, fellow industry icon Rob Fraboni, went on the road with The Rolling Stones during their Bridges To Babylon tour and recorded the Stones for six nights on the tour in California and Nevada using Daly's experimental Aura-Live recording technology. These recordings have not been released as of 2019 and are the possession of the Rolling Stones band. At the long-time behest of Fraboni, Daly experimented with multiple technologies over several years before ultimately creating a DSP sound processor, HaloField, a digital audio altering process said to give the same listener perception as the original live sound prior to recording.[20]
Film, video, TV, Digital Multimedia, Streaming Music and Productions[edit]
As head of A&R at three of the largest major record labels as well as of his own, Daly has overseen many hundreds of artist signings and productions of album recordings, including multi-platinum artists Janis Joplin, the Cars, Carlos Santana, Tool, Boz Scaggs, Green Jellÿ and many others as well as live recordings of The Rolling Stones, as well as rehearsals and demos with, chronologically, The Hangmen, (originally with himself, David Ottley, Thomas Guernsey, Robert Berberich and Paul Dowell with their album Bittersweet/Monument Records); the Dolphin[14] with Dowell, Berberich, Lofgren and Roy Buchanan on Sire Records; The Grin with Nils Lofgren; The Tubes (rehearsals and studio recording sessions for CBS Records; and other sessions co-produced with Stephen Barncard); Huey Lewis (in Clover, Summers Here/Pyramid Records); recorded his multiple later compositions with famed Byrds singer-songwriter Gene Clark; Marc V (Too True/Elektra Records); Family Brown (Imaginary World/United Artists Records); Grammy™ Award nominated composer Michael Hoppé (Simple Pleasures/Seventh Wave); Pamela Polland (Pamela Polland/Columbia Records); Boulder (Boulder, Elektra Records);the earliest recordings of famed singer songwriter Alejandro Escovedo[22] in the early punk/new wave band The Nuns, with Jennifer Miro; Blue Train, (Blue Train, All I Want Is You/BMG) which gave Bertelsmann/BMG/Zoo its first pop Top 40 US Hit; Laura Allan, the singer often cited as the important inspiration to Joni Mitchell in her Blue and post Blue vocal style;[23]Booker T. (Bittersweet/Epic Records); Skinny Songs[24] for Heidi Roizen; Tim Hockenberry, (Back In Your Arms/About Records/Universal Music Group); Larkin Gayle (Two Hands/About Records/Universal Music Group); Jon Collins, (Jon Collins/Coliseum/About Records); the 'sui generis' YASSOU,and others.
Daly also wrote and produced what is believed to be the first digitally recorded (SoundStream™ system) live music video and TV series, StudioLive™, short-listed in the Emmy's technical category and starring noted jazz trumpeter Freddie Hubbard and directed by Ric Trader with music composed and conducted by noted TV and jazz composer, Allyn Ferguson. The digital audio music for this production was released on Elektra Records/WEA as the album Fly Like The Wind and the one-hour TV pilot is marketed to consumers by Sony Home Video and is broadcast on PBS. Daly also wrote, produced and served as an Executive Producer of the multimedia life story of Carlos Santana, The River of Color and Sound for Polygram Multimedia.[25] Daly and Colin Farish created the pilot television show Sanctuary of Sound™ with Daly on-screen and in discussion with such music business notables as Narada Michael Walden and Ben Fong-Torres.
As a filmmaker, Daly co-directed and co-wrote, along with Gary Yost, the multiple award-winning documentary film on the restoration of Marin County's iconic Mount Tamalpais: The Invisible Peak. Additionally, Daly produced all the music and sound design in the film, which includes soundtrack compositions by composers Grammy nominated Michael Hoppé, and multiple Emmy award-winning Ron Alan Cohen.
Daly has also served as a consultant to the Smithsonian Institution, where he produced the long-running Star Spangled Banner original instrument exhibit recording at the National Museum of American History site in Washington, DC. Daly consulted with the Smithsonian Institution to record and produce for the Federal institution a unique version of the 1844 version of Francis Scott Key's original Star Spangled Banner using a modern studio orchestra playing in a state-of-the art recording studio, but using the original and rare musical instruments from the early 19th century; these instruments were made available to Daly for his music production by the National Museum of American History with the help of and in conjunction with Dr. Arthur Mollela,[26] then department Chairman of the National Museum of American History at the Smithsonian Institution.
Advising in the capacity of chief consultant at Advisor Intel to Norwegian ACX Music, George Daly identified and advised on the platform development and acquisition of streaming licenses for 45 million music tracks for the 2020 USA UFC Ultimate Fighting Championship Ultimate Sound streaming music service, one of the first services of its kind to launch in the United States.[27]
Teen Hoot[edit]
To give back to youth in music, Daly co-founded the Teen Hoot with iconic Nashville super-producer David Malloy. The Hoot, using live and streamed music performances with a growing, large online community propelled by video, YouTube, Instagram, Facebook and Twitter (where the Hoot has trended Twitter top three in the world), encourages young singer and songwriters to learn their craft, and in some cases deserving young artists Command Sisters, Molly Jewell, Dylan Holland, UK's Oliver Garland on YouTube became in house Hoot Music[28] artists. As a significant music performance venue, Hoot's one voting event garnered from worldwide fans over 1,300,000 votes online in a four-week period ending May 31, 2013.
Lifetime music business governance and affiliations[edit]
Daly is a founding Board of Governors member and co-founder of the San Francisco chapter of NARAS (former Governor) and is a lifetime member of NARAS (the Grammy Organization) as a Los Angeles member. Daly is also a lifetime member of Mensa and holds an FCC Amateur Extra-Class radio license.
References[edit]
- ^ ab'Recording Wally Heider' The Birth of a Studio'. Wallyheider.com. Archived from the original on 2015-03-20. Retrieved 2011-04-16.
- ^'About Records'. About Records. Archived from the original on 2010-09-08. Retrieved 2011-04-16.
- ^ ab'great moments in A&R'. Brusheswithgreatness.net. Retrieved 2011-04-16.
- ^'Customer Reviews: Slow Dancer'. Amazon.com. Retrieved 2011-04-16.
- ^'Clover: Albums/Singles'. Clover-infopage.com. Retrieved 2011-04-16.
- ^Zamora, Miguel (1947-07-20). 'Santana Pa Ti / Biography'. Santanapati.atspace.com. Retrieved 2011-04-16.
- ^'Home'. Med.navy.mil. Archived from the original on 2011-05-21. Retrieved 2011-04-16.
- ^'Obituary for George William Daly - Middletown, DE'. Middletown Transcript. Retrieved 2011-04-16.
- ^ ab'The Hangmen'. garage hangover. Retrieved 2011-04-16.
- ^'The Hangmen – Faces « Iron Leg'. Ironleg.wordpress.com. 2010-01-07. Archived from the original on 2017-11-07. Retrieved 2011-07-20.
- ^'Broken Radio Studios - A Classic Bill Putnam Recording Studio Design In San Francisco - History'. Brokenradio.com. 1999-02-22. Archived from the original on 2011-04-14. Retrieved 2011-04-16.
- ^'Janis Joplin & Clive Davis'. The Pop History Dig. Retrieved 2011-04-16.
- ^'The History of Recording Industry Sales, 1973-2010..' Digital Music News. Archived from the original on 2011-04-24. Retrieved 2011-04-16.
- ^ abEXPO67. 'Flower Bomb Songs: Dolphin'. Expo67-cavestones.blogspot.com. Retrieved 2011-04-16.
- ^American Axe by Phil Carson (c) 2001, BackBeat Books, SF; ISBN0-87930-639-4 p.125
- ^'Roy Buchanan'. Cascadeblues.org. Archived from the original on 2011-07-21. Retrieved 2011-04-16.
- ^Thomas, Stephen. 'Grin'. AllMusic. Retrieved 2011-04-16.
- ^http://www.dailymotion.com/video/xquz6k_tim-hockenberry-49-america-s-got-talent-2012-san-francisco-auditions_tv
- ^'What was the first effect you bought? [Archive] - Telecaster Guitar Forum'. Tdpri.com. 2005-05-02. Archived from the original on 2011-07-19. Retrieved 2011-04-16.
- ^ ab'HaloField'. HaloField. Retrieved 2011-04-16.
- ^'Hartford N. Gunn, Jr. — 1927-1986'. WGBH Alumni. Retrieved 2011-04-16.
- ^https://web.archive.org/web/20171014092107/http://www.alejandroescovedo.com/biography//
- ^Weller, Sheila (2009-04-14). Girls Like Us: Carole King, Joni .. - Google Books. ISBN9781416564775. Retrieved 2011-07-20.
- ^'Home'. SkinnySongs. Archived from the original on 2011-04-28. Retrieved 2011-04-16.
- ^'Santana'. Selaznog.tripod.com. Retrieved 2011-04-16.
- ^'NMAH Arthur Molella'. Americanhistory.si.edu. Archived from the original on 2011-06-30. Retrieved 2011-04-16.
- ^https://advisorintel.com/?page_id=22
- ^http://www.teenhoot.com
News The Latest From Around The Music World
Alice Coltrane Bio
I Oct. 15, 2018The National Trust for Historic Preservation announced preliminary plans Oct. 10 for the preservation of John and Alice Coltrane’s home in Dix Hills, New York—a 3.4-acre property that provided the couple a respite from city life—and named the property a “National Treasure.”
Brent Leggs, senior field officer for the trust, delivered the news from a podium perched on the home’s front porch as community leaders, volunteers and fans of the Coltranes gathered for the announcement. Event attendees included Huntington Town Supervisor Chad Lupinacci (Dix Hills is a village within Huntington) and other state and local leaders, as well as Coltrane scholar Yasuhiro Fujioka and Pat DeRosa, John Coltrane’s friend and a fellow tenor saxophone player.
Prior to Alice Coltrane’s death in January 2017, she envisioned the property’s future, but the home hasn’t always been on the verge of restoration.
In 2004, a developer planned demolition of property, but Huntington resident Steve Fulgoni led an effort to preserve the home as a historic landmark. Two years later, the town purchased the site and deeded ownership to the then-newly formed organization Friends of the Coltrane Home in Dix Hills, which Fulgoni helped found. In 2011, the trust recognized the property as one of the 11 most endangered historic sites in the United States.
This current restoration effort has two goals: stabilize the home, and strategize and implement a vision for future use. During the presentation, Leggs delved into details regarding the home’s interior—herringbone-patterned wood paneling in the living room and shag carpeting in Alice’s meditation room—but noted the current campaign is a process, not a quick fix. The roof has been replaced and soffits have been repaired; the next phase of work will focus on the home’s exterior, including repairing the brick façade and strengthening the foundation. Restoration of a recording studio that once was inside the home also has been discussed. No timeline for work was announced.
“Preservation takes time,” Leggs said. “That’s why the project is more than a decade in the making. We are honoring the Coltrane Home as a National Treasure to develop local and national support for the project.”
That support could come in many forms, including volunteer efforts and grant funding. In July, the trust awarded a $75,000 grant through the African American Cultural Heritage Action Fund—an organization for which Leggs acts as director—so Coltrane Home board members could hire a project manager to oversee the restoration. Hotline miami 2 soundtrack.
For some, the home is perceived as an incubator for transcendent music and a wellspring of artistic expression. For others, it’s the intersection of unbound creativity and family life, serving as a reminder that every generation can be, in John Coltrane’s words, a force for good.
Michelle Coltrane, daughter of Alice and John, lived in the Dix Hills home as a child and sees it as a matter of legacy.
“Their work—it had a higher meaning, a universal approach,” she said at the event. “And they lived that way. So, there was a respect for other cultures and other people’s music. Through their belief system and through their ideals, this house has come together. The home—the word itself—has brought people together in a way that everyone can understand. Something about ‘home’ seems to be very well received.”
The announcement promises a new phase of restoration for the Coltrane Home, but also presents a new set of challenges. Board members are hoping for an uptick in financial support following the grant allocation. But because the house is in need of maintenance, restoration efforts face another financial challenge: matching the $250,000 New York state grant that would stabilize the building.
To reach that goal, Coltrane Home Board President Ron Stein announced a Kickstarter campaign aimed at supporting restoration and future programming.
In addition to funding needed for the development of site programming, Stein and board members estimate they’ll need between $1 million and $1.5 million to move the project into the next phase of development, which includes refurbishing its interior and opening the space to the public. Connecting with area residents on future plans also is in the works. But Michelle Coltrane is certain everyone’s working toward the same goal.
“Just as people—not even as artists,” she said, “we’re all just waiting to be inspired by something.” DB